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Huge Bronze Sculpture - The Vine (1921) - Harriet Frishmuth Bronze

EP-521
€9,999.00 *

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The Vine (1921) – Monumental Bronze Sculpture by Harriet Whitney Frishmuth In 1921,... more

Product description

"Huge Bronze Sculpture - The Vine (1921) - Harriet Frishmuth Bronze"

Weight 60 kg

The Vine (1921) – Monumental Bronze Sculpture by Harriet Whitney Frishmuth

In 1921, Frishmuth unveiled her magnum opus, The Vine, a large-scale bronze sculpture that would become synonymous with her name. Cast in Paris and finished in New York, this monumental Harriet Frishmuth Bronze commands attention with its expansive sweep and soaring lines. Unlike her smaller statuettes, this version of Harriet Whitney Frishmuth The Vine magnifies every detail—from the rippling muscles of the dancer’s back to the individual grapes entwined in her hair—inviting viewers into a world where bronze itself seems to breathe.

A Sculptor Rooted in American Soil

Harriet Whitney Frishmuth was born on July 5, 1880, in Philadelphia, Pennsylvania, into a family devoted to the applied arts. Her early training at the Pennsylvania Academy of the Fine Arts under Thomas Eakins grounded her in rigorous anatomical study while nurturing a profound respect for craftsmanship. These formative years, spent sketching dancers and modeling clay figures from life, laid the foundation for a career that would blossom into an unrivaled celebration of movement and form.

Parisian Apprenticeship and Artistic Awakening

In 1906, Frishmuth journeyed to Paris to work in the studio of Auguste Rodin, a leap that transformed her sensibility. Under Rodin’s influence, she discovered how to infuse her figures with emotional depth and kinetic energy. Yet she never abandoned her American roots. In the ateliers of Montparnasse, she melded Franco-American techniques to craft a distinctive style—one that married the bravura of Art Nouveau’s sinuous curves with the forward-looking spirit of modern dance.

An Embodiment of Dance and Nature

At first glance, the figure appears suspended between earth and sky. Poised on a single toe, she arches her spine backward in a gesture of unabashed abandon, her arms extended as though conducting invisible melodies. Vines spring from her hair and twine around her wrists, bearing clusters of fruit that glint in the light. This fusion of human anatomy with botanical forms speaks to Frishmuth’s vision of the body as an instrument of nature, a living sculpture that embodies both grace and fertility.

Technical Mastery of Lost-Wax Casting

The technical prowess behind The Vine is as remarkable as its visual poetry. Frishmuth employed the lost-wax method to capture the dancer’s subtle shifts of weight and the organic irregularities of vine and grape. The warm patina ranges from honeyed gold on her flesh to verdant green on the vine elements, creating a harmonious dialogue of color and texture. In the world of Harriet Frishmuth Bronze works, this piece stands as a testament to her unmatched control over medium and surface.

A Muse Transformed into Myth

Isabel Dutaud Nagle, Frishmuth’s muse and lifelong companion, inspired much of her greatest work. In The Vine, one feels Isabel’s spirit in every curve and contour—the embodiment of a woman who is both real and archetypal. Frishmuth once described her muse as “a living temple of form,” and here that temple extends skyward, reaching toward transcendence. The sculpture becomes a mythic celebration of feminine power, a visual hymn to joy and renewal.

An Enduring Influence on American Sculpture

Over a career spanning more than sixty years, Harriet Whitney Frishmuth produced dozens of editions of The Vine alongside celebrated pieces like The Bubble and Forever Free. Her emphasis on the female nude in motion helped pave the way for later modernist sculptors who sought to merge realism with expressive abstraction. Today, her works reside in major institutions—from the Whitney Museum to the National Museum of Women in the Arts—ensuring that her vision of dance and vitality continues to inspire.

A Timeless Dance in Bronze

The Vine (1921) is more than a sculpture; it is a symphony of form and spirit, a powerful fusion of human energy and natural growth. In this large-scale masterpiece, Harriet Whitney Frishmuth The Vine transcends its own materiality, inviting us to witness a moment of pure, unbridled celebration. As sunlight glints across the bronze, we are reminded that art, like nature, renews itself endlessly—ever poised between the earth we stand on and the limitless sky above.

Height: 103 cm
Width: 70 cm
Depth: 34 cm
Weight: 60 kg
100% Bronze

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