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End of the Trail – Limited-Edition Bronze Figurine by James Earle Fraser James... more
Product description
"James Earle Fraser - End of the Trail - Bronze Figurine - Statue"
Weight | 12,8 kg |
End of the Trail – Limited-Edition Bronze Figurine by James Earle Fraser
James Earle Fraser was born on August 31, 1876, in Winona, Minnesota, at the very edge of America’s expanding frontier. Raised amid the whispers of oxcarts and steamboats, he absorbed the stories of Native peoples and settlers alike. His early studies at the Art Institute of Chicago and apprenticeship under Augustus Saint-Gaudens in New York gave him a mastery of form, but it was the ancient landscapes of his youth that would shape his vision. Fraser’s lifelong fascination with the American West found its most eloquent voice in one of his most celebrated creations.
A Plaster Vision Takes Shape in 1894
In 1894, a young Fraser modeled a striking plaster figure of a weary Native warrior and his equally exhausted steed, both bowed beneath the weight of history. This original plaster, created when Fraser was scarcely eighteen, captured an instant of quiet dignity at the end of a long journey. It would remain a personal touchstone for decades—an inexorable reminder that progress often arrived at the cost of those who walked before us.
A Debut on the World Stage in 1915
Over two decades later, Fraser transformed that modest plaster into a monumental bronze masterpiece for the Panama-Pacific International Exposition in San Francisco. The unveiling of End of the Trail in 1915 electrified audiences: here was a sculpture that embodied not only the spirit of the West but its elegy. As visitors strolled along the fair’s grand pavilions, they paused before Fraser’s work, confronting the poignancy of a culture in transition.
A Rare Edition of Twenty Bronze Figurines
This particular End of the Trail is one of only twenty authorized bronze editions, each expertly cast using the lost-wax process and finely patinated to evoke the warm earth tones of the western plains. Signed by the artist at its base, it carries the weight of history and the assurance of authenticity. Collectors of James Earle Fraser sculptures prize these rare limited editions for their exceptional detail and emotional power.
Anatomy of a Cultural Icon
In Fraser’s hands, the horse’s sagging haunches and the rider’s slumped shoulders become eloquent symbols of endurance. The spear, once a tool of survival, now points downward, marking both an end and an offering. Every muscle and sinew is rendered with anatomical precision, yet the work transcends mere naturalism. It speaks to universal themes of loss, perseverance, and the immutable passage of time.
The Artist’s Wider Legacy
While End of the Trail remains Fraser’s signature work, it is but one among many of his James Earle Fraser works that shaped American artistic identity. He later designed the iconic buffalo nickel, sculpted grand monuments in Washington, D.C., and taught a generation of artists at the National Academy of Design. Yet even amid large public commissions, he never lost the intimate connection to the human stories that first inspired him on Minnesota’s riverbanks.
Capturing the Western Mythos
Fraser’s depiction is not a lament but a celebration of spirit. By immortalizing the exhausted warrior and horse, he honors their resilience and pays tribute to countless lives shaped by the open sky. The sculpture invites contemplation: beneath the surface of progress lies a deeper narrative of survival, memory, and respect for the land’s original stewards.
An Heirloom of American Sculpture
As a limited-edition bronze, this James Earl Fraser End of the Trail figurine becomes both artwork and heirloom, destined to be passed down and cherished. It stands as a central chapter in the annals of James Earle Fraser sculptures, a work that continues to resonate with collectors, museums, and all who seek a profound connection to America’s past.
A Timeless Journey in Bronze
This End of the Trail is more than a sculpture—it is a dialogue across centuries. From Fraser’s youthful plaster vision in 1894 to its triumphant debut in 1915, it remains a powerful testament to the artist’s genius. In its silence and stillness, the figurine speaks volumes about the West’s complex legacy and the enduring human spirit that carries us forward.
James Earle Fraser was born on August 31, 1876, in Winona, Minnesota, at the very edge of America’s expanding frontier. Raised amid the whispers of oxcarts and steamboats, he absorbed the stories of Native peoples and settlers alike. His early studies at the Art Institute of Chicago and apprenticeship under Augustus Saint-Gaudens in New York gave him a mastery of form, but it was the ancient landscapes of his youth that would shape his vision. Fraser’s lifelong fascination with the American West found its most eloquent voice in one of his most celebrated creations.
A Plaster Vision Takes Shape in 1894
In 1894, a young Fraser modeled a striking plaster figure of a weary Native warrior and his equally exhausted steed, both bowed beneath the weight of history. This original plaster, created when Fraser was scarcely eighteen, captured an instant of quiet dignity at the end of a long journey. It would remain a personal touchstone for decades—an inexorable reminder that progress often arrived at the cost of those who walked before us.
A Debut on the World Stage in 1915
Over two decades later, Fraser transformed that modest plaster into a monumental bronze masterpiece for the Panama-Pacific International Exposition in San Francisco. The unveiling of End of the Trail in 1915 electrified audiences: here was a sculpture that embodied not only the spirit of the West but its elegy. As visitors strolled along the fair’s grand pavilions, they paused before Fraser’s work, confronting the poignancy of a culture in transition.
A Rare Edition of Twenty Bronze Figurines
This particular End of the Trail is one of only twenty authorized bronze editions, each expertly cast using the lost-wax process and finely patinated to evoke the warm earth tones of the western plains. Signed by the artist at its base, it carries the weight of history and the assurance of authenticity. Collectors of James Earle Fraser sculptures prize these rare limited editions for their exceptional detail and emotional power.
Anatomy of a Cultural Icon
In Fraser’s hands, the horse’s sagging haunches and the rider’s slumped shoulders become eloquent symbols of endurance. The spear, once a tool of survival, now points downward, marking both an end and an offering. Every muscle and sinew is rendered with anatomical precision, yet the work transcends mere naturalism. It speaks to universal themes of loss, perseverance, and the immutable passage of time.
The Artist’s Wider Legacy
While End of the Trail remains Fraser’s signature work, it is but one among many of his James Earle Fraser works that shaped American artistic identity. He later designed the iconic buffalo nickel, sculpted grand monuments in Washington, D.C., and taught a generation of artists at the National Academy of Design. Yet even amid large public commissions, he never lost the intimate connection to the human stories that first inspired him on Minnesota’s riverbanks.
Capturing the Western Mythos
Fraser’s depiction is not a lament but a celebration of spirit. By immortalizing the exhausted warrior and horse, he honors their resilience and pays tribute to countless lives shaped by the open sky. The sculpture invites contemplation: beneath the surface of progress lies a deeper narrative of survival, memory, and respect for the land’s original stewards.
An Heirloom of American Sculpture
As a limited-edition bronze, this James Earl Fraser End of the Trail figurine becomes both artwork and heirloom, destined to be passed down and cherished. It stands as a central chapter in the annals of James Earle Fraser sculptures, a work that continues to resonate with collectors, museums, and all who seek a profound connection to America’s past.
A Timeless Journey in Bronze
This End of the Trail is more than a sculpture—it is a dialogue across centuries. From Fraser’s youthful plaster vision in 1894 to its triumphant debut in 1915, it remains a powerful testament to the artist’s genius. In its silence and stillness, the figurine speaks volumes about the West’s complex legacy and the enduring human spirit that carries us forward.
Height: 50 cm
Width: 35 cm
Depth: 14 cm
Weight: 12.8 Kg
Width: 35 cm
Depth: 14 cm
Weight: 12.8 Kg
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