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Art Deco Bronze Dancer Statue - by D.H. Chiparus - Antinea

EP-180
€599.00 *

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Art Deco Bronze Sculpture - "Antinea" by D.H. Chiparus The Antinea bronze dancer by Demetre H.... more

Product description

"Art Deco Bronze Dancer Statue - by D.H. Chiparus - Antinea"

Height 35 cm
Width 15,5 cm
Length 12 cm
Weight 3,8 kg

Art Deco Bronze Sculpture - "Antinea" by D.H. Chiparus

The Antinea bronze dancer by Demetre H. Chiparus is an iconic example of Art Deco elegance, capturing the spirit of a time when exoticism, beauty, and individuality were at the forefront of the arts. This enchanting sculpture presents a graceful female figure, adorned with intricate details and poised in a stance that exudes both power and serenity. Chiparus's work reflects the glamour and sophistication of the Art Deco period, transporting the viewer to an era of exuberance and style.

Demetre H. Chiparus: A Master of Art Deco Sculpture, Life and Background

Demetre Haralamb Chiparus was born on September 16, 1886, in Dorohoi, Romania. He later moved to Paris to pursue his passion for the arts, studying at the École des Beaux-Arts. The cultural hub of Paris in the early 20th century provided Chiparus with an inspiring environment, where he became part of the Art Deco movement, which celebrated modernity, luxury, and the glamour of contemporary life. He quickly gained a reputation as one of the most talented sculptors of his time, renowned for his exceptional skill in creating highly detailed and expressive bronze and ivory figures.

Chiparus’s career flourished in the 1920s and 1930s, the peak of the Art Deco period. This era, known for its celebration of geometric lines, exotic motifs, and the spirit of the modern age, heavily influenced Chiparus’s style. Drawing inspiration from diverse sources such as Russian ballet, theater, and ancient cultures, Chiparus created sculptures that were elegant, intricate, and full of life. Antinea exemplifies his mastery of combining materials like bronze and ivory to create a distinctively luxurious aesthetic known as chryselephantine, which became his hallmark.

The Creation of Antinea: Beauty in Bronze and Ivory, Inspiration Behind Antinea

The figure of Antinea draws its name from the mythical queen of Atlantis in Pierre Benoit’s novel L'Atlantide, published in 1919. Antinea, a character who embodies mystery, allure, and an otherworldly beauty, served as the perfect muse for Chiparus. In this sculpture, he captures the essence of a powerful yet delicate female figure, presenting her as a goddess-like character who commands attention and respect. The theme of ancient and exotic femininity, prominent in Art Deco, is deeply embedded in this work, adding to its allure.

Created around the 1920s, Antinea showcases Chiparus’s remarkable attention to detail and his technical prowess in working with bronze and ivory. The statue stands as a blend of strength and elegance, with each fold of the garment, each contour of the body meticulously crafted to create a sense of motion and grace. This chryselephantine technique, where bronze is often paired with ivory accents, adds a soft, luminous quality to the skin tones, creating a lifelike appearance that was highly valued during the Art Deco era.

Symbolism and Allure of the Exotic, Embracing Ancient Myths

By drawing on ancient mythology, Chiparus enhances the exotic appeal of Antinea. The figure’s regal and slightly mysterious expression embodies the allure of a mythical queen, a beauty from a lost civilization. The piece invites viewers to imagine her world and her story, allowing the sculpture to serve as both a visual and narrative work of art.

Chiparus’s Antinea is more than just a tribute to classical beauty; it represents the Art Deco fascination with ancient civilizations blended with modern aesthetics. This duality creates a timeless piece, one that feels simultaneously rooted in the past and elegantly modern. Her posture, both strong and graceful, captures the spirit of the liberated woman of the 1920s—confident, powerful, and entirely captivating.

Technical Mastery: Bronze and Ivory in Harmony, The Chryselephantine Technique

One of the most striking aspects of Antinea is Chiparus’s use of chryselephantine, a technique that combines bronze with ivory, typically used for skin tones. This process was complex, requiring an intricate understanding of both materials. The bronze is polished to a soft sheen, while the ivory is carefully carved to reveal delicate facial expressions and refined details in the hands. This harmonious blending of materials gives the sculpture a life-like quality, making Antinea a radiant example of Art Deco sculpture.

The details in Antinea, from her elaborate garment to the subtle texture of her accessories, display Chiparus’s skill in creating depth and texture. He applied various patination techniques to achieve subtle color contrasts in the bronze, enhancing the figure’s attire and giving it a luxurious finish. The patina not only protects the bronze but also adds to its visual richness, lending the sculpture an appearance that changes under different lighting.

A Lasting Legacy: Antinea as a Symbol of Art Deco Splendor

Antinea by Demetre Chiparus is more than a mere sculpture; it is a testament to an era that valued beauty, innovation, and artistic expression. This work embodies the Art Deco movement’s love for exoticism, luxury, and the modern celebration of the feminine form. Chiparus’s ability to capture such complexity in his sculptures has solidified his status as one of the foremost artists of his time, and Antinea remains an enduring symbol of his remarkable talent.

Conclusion: Owning a Piece of Art Deco History

To possess Antinea is to hold a piece of Art Deco history. This exquisite sculpture is a reminder of an era that reveled in beauty and sought to immortalize elegance and grace. With its blend of exotic allure, technical mastery, and rich symbolism, Antinea is not only a decorative piece but also a conversation with the past—a tribute to a time when art and life were entwined in the celebration of form, femininity, and fantasy.

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