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"Bronze Statue - Floating Godfather (1922) - Ernst Barlach Art"
| Height | 55 cm |
| Width | 50 cm |
| Length | 29 cm |
| Weight | 16,5 kg |
Floating Godfather – A bronze vision of transcendence - Signed Ernst Barlach
This bronze interpretation of the Floating Godfather captures a profound instant in which the human form seems to loosen itself from the weight of the world. The figure leans forward with arms extended, as though carried by a current of invisible air, and its flowing robe rises behind like a sculpted wave frozen in motion. The serene, almost otherworldly expression suggests a state of contemplation rather than exertion, giving the work a meditative aura. Each line of the composition guides the viewer’s gaze along sweeping diagonals that strengthen the impression of ascension. Placed in a quiet room, a library or a private gallery, the sculpture becomes a still point that draws the mind into reflection.
A composition driven by wind, geometry and spiritual force
The surface of the robe, with its sharply carved folds and planar energy, creates a rhythmic interplay of light and shadow. This dynamic quality lends the figure both weight and weightlessness, as if its cloak were shaped by spiritual momentum rather than by the atmosphere alone. The asymmetry of the pose, with feet poised at the edge of the plinth, emphasises the exact moment before departure—an interval that blends tension and ease. The hands, extended as if blessing or receiving, reinforce the sculpture’s contemplative intention. Seen from different angles, the work develops new visual pathways, making it suitable for central placement where viewers can experience its shifting geometry.
Historical context of a visionary creation
Conceived in 1922, the Floating Godfather emerges from a period in which Ernst Barlach turned increasingly toward themes of inner transformation and spiritual gravity. Post-war Europe, still marked by uncertainty, prompted him to explore states of transcendence, introspection and the search for meaning. This sculpture, with its blend of abstraction and emotional clarity, belongs to a major phase of Ernst Barlach Art in which the artist distilled human experience into essential, almost iconic forms. Works from this period, including the Floating Godfather, can be admired in collections such as the Ernst Barlach Haus in Hamburg, the Güstrow Atelierhaus and several German state museums. These institutions preserve key examples of Ernst Barlach Artwork, enabling viewers today to trace his evolution toward a spiritual vocabulary of profound simplicity.
Life, training and the roots of a sculptural language
Born on 2 January 1870 in Wedel, Ernst Barlach came from a family that encouraged his early artistic disposition, though the death of his father shaped much of his emotional sensitivity. After completing his initial training in Hamburg, he studied at the Académie Julian in Paris, where he absorbed influences ranging from expressive modelling to the growing interest in simplified, symbolic forms. Throughout his multifaceted career as sculptor, draughtsman and writer, he cultivated a unique voice defined by emotional authenticity and a deep connection to the human condition. His later years in Güstrow allowed him the solitude and focus to refine a sculptural language that resonates through much of Ernst Barlach Artwork. This period crystallised his fascination with figures caught between contemplation and movement—qualities vividly present in the Floating Godfather.
A sculpture that bridges the visible and the invisible
The piece’s power lies in its ability to connect the viewer not only to the physical presence of bronze but also to the immaterial realm it suggests. Its simplified structure, sweeping silhouette and inward-facing expression make it an object of quiet revelation, capable of transforming the atmosphere around it. Because of its moderate height and clear vertical tension, it can be displayed on a pedestal, sideboard or in a niche where its meditative stillness can be fully appreciated. Collectors of Ernst Barlach Art and admirers of spiritually charged sculpture value the work for its capacity to evoke inner elevation without theatricality. In continuing to communicate this sense of solemn ascent, the Floating Godfather remains a compelling presence within any sophisticated interior, offering not merely an object to behold but a moment of calm that endures.
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